Anna Emily Altman
Currently in: New York
Willing to travel: Yes
Primary Language: English
Appearance: 40-50
Hair: Brown
Eyes: Brown
Height: 5’4”
Weight: 138 lb
I grew up in St. Louis, Missouri, with a turntable plugged into my bedroom wall and the Beatles spinning on repeat—my father’s doing. If you asked him, I’d been acting since I was two, but my first professional role came at seventeen as Rosalind in
“As You Like It.”
From the very beginning, everything about my life and training promised success. Music and performance came naturally; opportunities seemed within reach.
I trained at the Stella Adler Conservatory through NYU’s Tisch School of the Arts before completing my degree at Northwestern University. On paper, I had talent, training, and a future that seemed set.
But life unfolded differently. That early promise became a foil to years of struggle—fear I’d never truly fit in, doors that stayed closed, and a repeated sense of being outside the places I longed to belong.
I moved to Paris, searching for a home I hadn’t found in New York. Slowly, I discovered it. I fell in love with the city, its streets, its music, and my own bittersweet stories, whispered alongside the histories of the city. For the first time, I felt I could breathe, I could exist fully in a place that made sense.
Returning to New York, the walls returned. Acting again brought doors closed in my face, life pulled me off course—marriage, divorce, financial struggle. People told me I was talented, that I should keep going, yet I had no money, no home, and no clear path.
Then my father died.
His passing broke me open, and creation began. I wrote, composed music, and discovered stories I had carried silently for years. From that work, “Liner Notes” was born—a screenplay, a soundtrack, a world that finally felt like mine.
Back in New York City, I am producing this project, writing music, and building a life that feels like home. Every heartbreak, every closed door, every song of longing led me here. I follow the unexpected paths, trusting they carry the stories most worth telling.
Portfolio/About
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Liner Notes
Ana ArdittiPrivate Moments
Audrey
Ziggurat Films (dir. Curro Sanchez)Silver Tongues
Featured
Silver Tongues (dir. Simon Arthur)The Chamberlain Murders
Helen (Lead)
Sarah Lawrence ThesisCold Cuts
Gwen
NYU Student Sitcom -
The Lover/Eden
Sarah/Breda
Abingdon Theater Complex (dir. Kathy Gail MacGowan)Dirty (reading)
Katie (Lead)
Andrew Hinderaker/ ID Theater.A Telephone Call for Francine Stein Francine (Lead)
WorkShop Theater CompanyThe Fatwa of Corpsman Johnny Jones
Nasima
Sam French Festival(dir. Kathy Gail MacGowan)Weekend in Filey
Lynn (Lead)
WorkShop Theater CompanyNebraska (Reading)
Kim
Manhattan Theatre ClubThe Enlightenment of Mrs. Cartwell Mrs. Peacock
Manhattan Theatre Source (dir. Kathy Gail MacGowan) -
Early Sunday Morning
Jo Hopper (lead)
Gloucester Stage Co. (dir. Paula Plum)Educating Rita
Rita
Winnipesaukee Playhouse -
Measure for Measure
Isabella
WorkShop Theater CompanyHamlet
Ophelia
Excalibur TheatreAs You Like It
Rosalind
Excalibur TheatreRomeo and Juliet
Juliet
Raw Space -
ACTING/SCENE STUDY
Shakespeare and Co. Month Long Intensive
Dossy Peabody/ Paula Plum (Boston)
Wynn Handman
NYU- Tisch School of the Arts- Stella Adler- James Tripp, Tom Oppenheim
Northwestern University- Cherubs Program
Linklater- Kimberly White, Paul D’Agostino, Gwendolyn Schwinke
FILM/TELEVISION DIALECTS
New York: Dani Super
Boston: Kyle Crand
James Phillip Gates
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Dialects:
U.K. (RP, Liverpudlian, Scottish, Cockney)
Irish
Middle Eastern
French
French speaking (proficient)
MOVEMENT:
Competitive figure athlete
Period Movement
Stage Combat (hand to hand)
Period dance
ADDITIONAL:
Rock Singer
Personal Trainer
Licensed Driver
CURRENT PROJECTS
SELECT A PROJECT TO READ MORE
Co-Executive Producer/Writer, and cast as Ana Arditti
Original Song written for “LINER NOTES”

